HomeGraphic Design
LA MUDA
Solo Exhibition
First Gallery
Opening Reception: August 29, 2026 | 5-8pm
La Muda occupies four spaces.
On one: a figure emerges from mesh, a foundation or grid. Glue is used as a layering tool that holds symbolic impossibilities. Not really a body that’s not really about the body.
On the other space: molds are painted using dried clay and wood paint. Baby heads are displayed, made of pressed paper. They resemble devotional objects, maybe ex votos. But devoted to what?
On the third space: a ceramic baby head freed from its molds, but balanced precariously on makeshift candlestick.
On the last space: a doubled face by itself. This piece of glue is situated away from a container or foundation.
La Muda: skin shedding.
“Im not after any sort of identity really. You know things like identity just sort of bore me really. The only thing is you have to have some sort of identity to sell records unfortunately. And I would like to sell some records so I can earn a living and don't have to work at McDonalds”
- Richard David James
Mother May I
Sculpture | Group Exhibition
MM/DD/YYYY
Opening Reception: June 13, 2026 | 5-8pm
Mother, may I uncover the hauntings of the past, so the present can exist with less of its weight?
Created for the group exhibition Cold Call, this work responds to the show's invitation for residents to exhibit alongside an artist they respected. The accompanying painting was created by Cameron Masters.
NoBody
Two Person Exhibition
MM/DD/YYYY
Opening Reception: February 28, 2026 | 5-8pm
NoBody is a two-person exhibition created by Dar San Agustin and Valeria Costa. Each work considers the body as a vessel shaped by violence. Objects stand in as the subject, absorbing harm, desire, and labor over time. Bodies are stripped of anatomy and rendered into non-form, altered beyond their original function.
Transformation is not offered as resolution, but as a process that leaves residue. Violence operates materially through acts of containment, repetition, staining, encasing, and piercing. These gestures function as evidence of what bodies are forced to carry.
The exhibition holds tension between transformation lived within the body and transformation externalized through objects. Nobody asks what happens when bodies are made to contain more than they should, and what it costs to keep holding. The work does not resolve this overflowing loop. Survival here is cumulative and uneven, marked by continuous damage. The body persists in alteration, reduced to the container. Is it still a body?
Still, they change
Solo Exhibition
In this collection of work, I aim to hold still what inevitably shifts. I am fascinated by how memory morphs over time and how that reshapes my understanding of self.
At What Cost
Sculpture | Group Exhibition
A sculpture about a film that has yet to be written. A body horror that explores the lengths and sacrifices artists will take to express what they desire. This piece was created for the group exhibition Self Group.
Molding Memories
Solo Exhibition
Molding Memories was an exhibition exploring preservation and decay. Created from memory with minimal references, each piece was accompanied by poems performed live at the opening. Visitors contributed to a communal memorial by leaving sticky notes illustrating lost childhood objects.